Morocco’s anonymity among Western audiences belies its starring role in Hollywood.

Gharābīb Sūd, a Ramadan drama about life under ISIS, opens with a female voice reciting a well-known ISIS nashīd. The rhythm and meter are the same, but the words have changed...

A Girl Walks Home Alone at Night refutes the “good Muslim” trope by affording its main character her monstrosity. Muslims have long been monstrous in the western imagination…