Shahab Ahmed’s What Is Islam? as Disciplinary Critique Charting a Way Forward for Islamic Studies Michael Pregill | January 24, 2017 Critical Approaches / Pedagogy, Visual Culture About Critical Approaches Perhaps the main takeaway students and scholars of Islam should derive from Shahab Ahmed's What Is Islam? is that instead of avoiding definitions of Islam, blithely insisting that the sheer diversity of Muslim thought, practice, and experience makes such an enterprise impossible, we should tackle the question head-on and consider what that diversity really means for the problem of definition. But how to move forward? How best to explore the implications of such an argument, operationalizing the consequences of his observations in practical terms? Read the rest of this entry
A Sword That Becomes a Word (Part 1) Supplication to ʿAlī b. Abī Ṭālib and Dhū’l-Faqār Majid Daneshgar | January 9, 2017 Libraries & Collections, Visual Culture Some traditions report that the sword Dhū’l-Faqār was granted to ʿAlī by Muḥammad. Although some argue that the sword reached Muḥammad after the battle of Badr in 624, various reports claim that it was sent down from heaven. The sword was originally depicted as being double-edged, but from the medieval era onwards, that image was replaced with that of a sword with a bifurcated point, now recognizable as the sign of ʿAlī b. Abī Ṭālib worldwide... Read the rest of this entry
The Possibilities of a Digital Life in Islamic Studies “Activism, Advocacy, and Scholarship on Islam in the Digital Realm” (Boston University, September 16-17, 2016) Kristian Petersen | December 1, 2016 Critical Approaches About Critical Approaches Engagement via digital media and technologies has transformed how scholars and activists do what they do. Digital platforms and tools have opened up new horizons for doing work – producing, analyzing, archiving, communicating – but also pose new challenges that need to be addressed when working in digital environments... Read the rest of this entry