Censored Manuscripts, Censored Intellects Can We Trust the Past? Majid Daneshgar | April 23, 2018 Critical Approaches / Libraries & Collections About Critical Approaches Marginalization is a form of censorship. It is hard to define the term censorship, but its function is easily imagined, as it is used by people in every society. Indeed, censorship, as I will show in the rest of this essay, is when an individual, a group of people, or a work and their significance are systematically and thoroughly modified (either by demonizing or canonizing them) by powerful people or organizations in order to preserve and promote in whole or part their ideological, ethical, or legal values... Read the rest of this entry
Muslim Messiahs? American Civil Religion and U.S. Military Service Edward E. Curtis IV | March 14, 2018 Critical Approaches About Critical Approaches On October 19, 2008, former Republican Secretary of State and retired Chairman of the Joint Chiefs General Colin Powell appeared on the NBC News Sunday morning program Meet the Press to endorse Democratic candidate Barack Obama for president. Powell outlined multiple reasons for his choice, many of which were driven by sober policy concerns and a sense of which person was better suited for the job. But there was also a “push factor” behind his choice: he had grown weary of anti-Muslim rhetoric in the Republican Party and the attempts to tarnish Obama as a Muslim... Read the rest of this entry
Ghazālī’s Wondrous Plays of the Heart Dramaturgy in "The Resuscitation of the Religious Sciences" Sam Kigar | February 8, 2018 Muslim Literatures / Texts & Translations About Muslim Literatures In al-Ghazālī’s “Wonders of the Heart”—an important part of the famous Muslim thinker’s multi-volume magnum opus, The Resuscitation of the Religious Sciences—we read a litany of metaphorical descriptions of the heart. The heart, for Ghazālī, is a powerful locus of cognition, affect, and control. It is a "king" and its “armies” are the external sense-organs and limbs, as well as internal psychic complexes and appetites. The king-heart has to command these armies in order to make a safe “journey to God.” Why does Ghazālī rely so heavily on metaphor in his description of the heart? What does he make of these illustrative examples, and what do we? Read the rest of this entry